Oo-ooh, I'm with Pissy,
His output has been 'patchy' at best.
( , Mon 11 Feb 2013, 20:10, Share, Reply)
His output has been 'patchy' at best.
( , Mon 11 Feb 2013, 20:10, Share, Reply)
Bullshit!
His catalog is epic...sure, there are some duds and sure there are some overplayed ones that get old, but if you listen to stuff like Cygnet Committee or Memory of a Free Festival, that shit brings a tear to my eye every time
( , Mon 11 Feb 2013, 20:16, Share, Reply)
His catalog is epic...sure, there are some duds and sure there are some overplayed ones that get old, but if you listen to stuff like Cygnet Committee or Memory of a Free Festival, that shit brings a tear to my eye every time
( , Mon 11 Feb 2013, 20:16, Share, Reply)
Wowsers!
You've never heard Hunky Dory? It's even worth cracking open your lepidoptera filled purse for!
( , Mon 11 Feb 2013, 21:21, Share, Reply)
You've never heard Hunky Dory? It's even worth cracking open your lepidoptera filled purse for!
( , Mon 11 Feb 2013, 21:21, Share, Reply)
Low deserves the acclaim it gets,
and it is one of the few of his without awful cover art.
( , Mon 11 Feb 2013, 21:16, Share, Reply)
and it is one of the few of his without awful cover art.
( , Mon 11 Feb 2013, 21:16, Share, Reply)
Personally
I love Outside, which was a concept album. Space Oddity is pretty much cover to cover goodness. Earthling, Heathen, Reality are about 70/30 good to meh. And for live performance, the third disk of the BBC disk is recent and eliminates much of the 1980s trebly sound / drum machine sounding drums. Wild is the Wind is classic on that disk. If you like covers, Pin Ups is good. Station to Station is intense, especially the title song. Hours is really mellow, with Thursday's Child a call out track, and Something in the Air a desperate tail of relationship decay. I shy away from Tin Machine altogether...
( , Mon 11 Feb 2013, 21:34, Share, Reply)
I love Outside, which was a concept album. Space Oddity is pretty much cover to cover goodness. Earthling, Heathen, Reality are about 70/30 good to meh. And for live performance, the third disk of the BBC disk is recent and eliminates much of the 1980s trebly sound / drum machine sounding drums. Wild is the Wind is classic on that disk. If you like covers, Pin Ups is good. Station to Station is intense, especially the title song. Hours is really mellow, with Thursday's Child a call out track, and Something in the Air a desperate tail of relationship decay. I shy away from Tin Machine altogether...
( , Mon 11 Feb 2013, 21:34, Share, Reply)